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Mensch, Maschine, Maschinenmenschen: Multidisziplinäre Perspektiven auf die Serie Westworld

Dieses Buch setzt sich mit der viel diskutierten HBO-Serie Westworld auseinander. Aus multidisziplinären Perspektiven fragen die Autor*innen danach, wie die Science-Fiction/Western-Serie als Erzählung funktioniert und dabei Aspekte des Posthumanismus, Fragen künstlicher Intelligenz und das Verhältnis von Mensch und Maschine problematisiert.

Georgi-Findlay, Brigitte, and Katja Kanzler, editors. Mensch, Maschine, Maschinenmenschen: Multidisziplinäre Perspektiven auf die Serie Westworld. Springer VS, 2018.

The Invective Mode in Contemporary US-American Television

Vituperation, (self-)debasement, mockery, humiliation, embarrassment — representations and performances of disparagement abound in American popular culture, to such an extent that they seem foundational for several popular genres, e.g. of comedy or of contemporary reality tv. While disparagement culture appears to enjoy a particular currency at the contemporary moment, it looks back on a substantial history in the US-American context.

This project is interested in the form(s) that disparagement takes in American popular culture and in the cultural work that it does. It proposes to conceptualize disparagement as a distinct mode of popular communication — an invective mode which is marked by its own repertoire of representational strategies, its own affective regime, its own historical resonances and political valencies. This invective mode has played a key (and yet unexamined) role in the development of American popular culture — its media, its genres, its aesthetics, its social functionalities. In its first phase, the project's work will focus on the invective mode in contemporary American television culture.

This project is connected with two dissertation projects, by Anne Krenz and Katja Schulze. It is part of the Collaborative Research Center (SFB) 1285 “Invectivity: Constellations and Dynamics of Disparagement.” [www.invectivity.com]

Transnationality and Temporality in Early African American Texts

The essay argues that it is necessary to complicate spatial approaches to nationality by an acknowledgment of the equally important function of temporality in the imaginative constructions of the nation. The movement “beyond the nation” is not necessarily only a movement away from a particular territory but can also be a movement away from a particular temporal narrative.

Pisarz-Ramirez, Gabriele. “Transnationality and Temporality in Early African American Texts”. In The International Turn in American Studies, eds. Marietta Messmer and Armin Paul Frank. Interamericana 7 (Frankfurt: Lang, 2015): 209–230.

Narrative Liminality and/in the Formation of American Modernities

This DFG-funded network proposes the notion of "narrative liminality" as a category for the study of US American culture.

The Politics of Melodrama: Nostalgia, Performance, and Gender Roles in Revolutionary Road

Ravizza, Eleonora. "The Politics of Melodrama: Nostalgia, Performance, and Gender Roles in Revolutionary Road." Poetics of Politics: Textuality and Social Relevance in Contemporary American Literature and Culture. Ed. Sebastian M. Herrmann et al. Heidelberg: Winter, 2015. 63-80. Print.

Poetics of Politics: Textuality and Social Relevance in Contemporary American Literature and Culture

Herrmann, Sebastian M., Carolin Alice Hofmann, Katja Kanzler, Stefan Schubert, and Frank Usbeck, eds. Poetics of Politics: Textuality and Social Relevance in Contemporary American Literature and Culture. Heidelberg: Winter, 2015. Print. American Studies - A Monograph Ser. 258.

Objectivism, Narrative Agency, and the Politics of Choice in the Video Game BioShock

Schubert, Stefan. "Objectivism, Narrative Agency, and the Politics of Choice in the Video Game BioShock." Poetics of Politics: Textuality and Social Relevance in Contemporary American Literature and Culture. Ed. Sebastian M. Herrmann et al. Heidelberg: Winter, 2015. 271-89. Print.

'Lose Yourself': Narrative Instability and Unstable Identities in Black Swan

Schubert, Stefan. "'Lose Yourself': Narrative Instability and Unstable Identities in Black Swan." COPAS 14.1 (2013): 1-17. Web.

Spatial Fictions - Antebellum South

Research Project by
Deniz Bozkurt

My (ongoing) dissertation project Spatial Fictions in Antebellum American Writings about the Southern Peripheries of the United States focuses on spatial imaginations regarding the Southern peripheries of the US in the nineteen-century fictional and non-fictional literature. Laden with controversies such as discussions on slavery and abolition, territorial expansion and annexation, sectionalism, secessionism and unionism, industrialization and agricultural reforms, the literature on the nineteenth-century South a wide range of diverse spatial projections than the canonical spatial metanarratives, which evolve around concepts like Manifest Destiny, Errand into the Wilderness, and the Frontier, offer. While these metanarratives often contradicted the lived-realities of the region, the South was located in “the national imagery” that they constructed as the peripheral “internal other” to the US.

The main objective of this dissertation is, thus, to create a more heterogeneous and complex representation of spatial imagination regarding the American South in an era where the nation consolidation was accompanied and complicated by geographical expansion. Concentrating on the narratives about important events and debates of the era for the South like filibustering expeditions to Cuba and Nicaragua, and Southern independence and slavery, the first discursive complex of this projects aims at exploring geographical imaginations that envision the South as the center of a Southern empire that extends beyond the presumed borders of the South and reaches as far as Brazil. In the second part, texts by African-American and abolitionist authors who established invisible networks in space and time that spread from the Southern US to as far as Africa through shared experiences and expectations in their works will be read to draw an alternative landscape of spatial imaginations that is distinct from the texts that will be explored in the first discursive complex.

Wrestling With the Real

Herrmann, Sebastian M. “Wrestling with the Real: Politics, Journalism, History in Frost/Nixon, and the Complex Realism of Kayfabe.” Amerikastudien – American Studies 61.1 (2016): 11-31. Print.

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