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Schadewaldt, Annika. “Going Slumming in Mexico: Rereading Primitivism in Katherine Anne Porter’s Flowering Judas and Other Stories.” Beyond the Margins: A Journal of Graduate Literary Scholarship, vol. 1, 2020.

Schadewaldt, Annika. ““I’m Not a Real Person Yet”: Queering Coming of Age in Frances Ha.” aspeers, no. 12, 2019, pp. 97-116.

Schadewaldt, Annika, with Patrick Durdel et al. Literaturtheorie nach 2001. Matthes & Seitz, 2020.

“ ‘To Tell the Kitchen Version’: Architectural Figurations of Race and Gender in Harriet Jacobs’s Incidents in the Life of a Slave Girl.” Repub. Incidents in the Life of a Slave Girl: A Norton Critical Edition. 2nd ed. Ed. Frances Smith Foster and Richard Yarborough. New York: Norton, 2018. 341-50.

Wöll, Steffen. “‘To Be Murdered’: Simulations of Objectivity, Subjectivity, and Violence in
Truman Capote’s In Cold Blood.” Irish Journal of American Studies 8 (2019). Web.

Wöll, Steffen. “Bleeding Borders: Space, Blackness, and Hybridity in Jack London’s Representations of the American Southwest.” Amerikastudien / American Studies 63.1
(2018): 5-28. Print.

Kanzler, Katja. “Veep, Invective Spectacle, and the Figure of the Comedic Antiheroine.” Zeitschrift fuer Anglistik und Amerikanistik 67.2, 2019, 147-162.

Kanzler, Katja, and Christian Schwarke, editors. Star Trek Discovery: Gesellschaftsvisionen für die Gegenwart.

Herrmann, Sebastian M. “Post-Truth = Post-Narrative?: Reading the Narrative Liminality of Transnational Right-Wing Populism.” The Routledge Companion to Transnational American Studies. Eds. Nina Morgan, Alfred Hornung, and Takayuki Tatsumi. London: Routledge, 2019. 288-96. Print.