public

any web user can view this item

Going Slumming in Mexico: Rereading Primitivism in Katherine Anne Porter’s Flowering Judas and Other Stories

Schadewaldt, Annika. “Going Slumming in Mexico: Rereading Primitivism in Katherine Anne Porter’s Flowering Judas and Other Stories.” Beyond the Margins: A Journal of Graduate Literary Scholarship, vol. 1, 2020.

“I’m Not a Real Person Yet”: Queering Coming of Age in Frances Ha

“I’m Not a Real Person Yet”: Queering Coming of Age in Frances Ha

Schadewaldt, Annika. ““I’m Not a Real Person Yet”: Queering Coming of Age in Frances Ha.” aspeers, no. 12, 2019, pp. 97-116.

Literaturtheorie nach 2001

Literaturtheorie nach 2001

Schadewaldt, Annika, with Patrick Durdel et al. Literaturtheorie nach 2001. Matthes & Seitz, 2020.

‘To Tell the Kitchen Version’: Architectural Figurations of Race and Gender in Harriet Jacobs’s Incidents in the Life of a Slave Girl

‘To Tell the Kitchen Version’: Architectural Figurations of Race and Gender in Harriet Jacobs’s Incidents in the Life of a Slave Girl

“ ‘To Tell the Kitchen Version’: Architectural Figurations of Race and Gender in Harriet Jacobs’s Incidents in the Life of a Slave Girl.” Repub. Incidents in the Life of a Slave Girl: A Norton Critical Edition. 2nd ed. Ed. Frances Smith Foster and Richard Yarborough. New York: Norton, 2018. 341-50.

‘To Be Murdered’: Simulations of Objectivity, Subjectivity, and Violence in Truman Capote’s In Cold Blood

Wöll, Steffen. “‘To Be Murdered’: Simulations of Objectivity, Subjectivity, and Violence in
Truman Capote’s In Cold Blood.” Irish Journal of American Studies 8 (2019). Web.

Bleeding Borders: Space, Blackness, and Hybridity in Jack London’s Representations of the American Southwest

Bleeding Borders: Space, Blackness, and Hybridity in Jack London’s Representations of the American Southwest

Wöll, Steffen. “Bleeding Borders: Space, Blackness, and Hybridity in Jack London’s Representations of the American Southwest.” Amerikastudien / American Studies 63.1
(2018): 5-28. Print.

Veep, Invective Spectacle, and the Figure of the Comedic Antiheroine

Veep, Invective Spectacle, and the Figure of the Comedic Antiheroine

Kanzler, Katja. “Veep, Invective Spectacle, and the Figure of the Comedic Antiheroine.” Zeitschrift fuer Anglistik und Amerikanistik 67.2, 2019, 147-162.

Star Trek Discovery: Gesellschaftsvisionen für die Gegenwart

Star Trek Discovery: Gesellschaftsvisionen für die Gegenwart

Kanzler, Katja, and Christian Schwarke, editors. Star Trek Discovery: Gesellschaftsvisionen für die Gegenwart.

Post-Truth = Post-Narrative?: Reading the Narrative Liminality of Transnational Right-Wing Populism

Post-Truth = Post-Narrative?: Reading the Narrative Liminality of Transnational Right-Wing Populism

Herrmann, Sebastian M. “Post-Truth = Post-Narrative?: Reading the Narrative Liminality of Transnational Right-Wing Populism.” The Routledge Companion to Transnational American Studies. Eds. Nina Morgan, Alfred Hornung, and Takayuki Tatsumi. London: Routledge, 2019. 288-96. Print.

Pages

Subscribe to RSS - public