1107-1 Seminar Literatur oder Kulturstudien Großbritanniens:
Von den folgenden Seminarangeboten (1107-1a-b) ist ein Kurs zu belegen.
1107-1a (Neo-)Victorianism as Transatlantic Media Phenomenon
Wednesday, 9-11 am, NSG 114
Dietmar Böhnke (Institut für Anglistik)
Empfohlene Vorbereitung:
Auffrischen der Kenntnisse zum 19. Jahrhundert Literatur: Hewitt, Martin, ed. (2012), The Victorian World. London/NY: Routledge; Higson, Andrew (2003), English Heritage, English Cinema: Costume Drama since 1980. Oxford: OUP; Ho, Elizabeth (2012), Neo-Victorianism and the Memory of Empire. London: Continuum; Joyce, Simon (2007), The Victorians in the Rearview Mirror, Athens, Ohio: Ohio University Press; Kucich, John and Dianne F. Sadoff, eds. (2000), Victorian Afterlife: Postmodern Culture Rewrites the Nineteenth Century. Minneapolis: University of Minnesota Press; Sadoff, Dianne F. (2010), Victorian Vogue: British Novels on Screen. Minneapolis: University of Minnesota Press; Sweet, Matthew (2001), Inventing the Victorians. London: Faber and Faber.
Prüfung: mdl. Präsentation mit Essay als Hausarbeit in diesem od. im Seminar 1107-2
Due to the industrial and communications revolutions, the Victorian Age (1837-1901) and more generally the nineteenth century was both the first truly globalized period in history and the first (mass) media age. It saw the height of the British Empire and the rise of the USA as a global power as well as such groundbreaking innovations as railways, steamships, photography, the telegraph, telephone and finally film. Partly because of this, the period has remained central to the national imagination on both sides of the Atlantic and is continually revisited in various media, above all in films for the small and big screen. In this course, we will start by surveying the historical context of (Victorian) globalization and media developments before moving on to the representation and reinvention of the period in a variety of neo-Victorian films and TV series, such as Clueless, The Claim, Conceiving Ada, From Hell, The League of Extraordinary Gentlemen, Penny Dreadful, Possession, Ripper Street, or Shanghai Knights. In analyzing these films, we will be looking at both AngloAmerican/transatlantic aspects and the media element, including such issues as Hollywood and the British film industry, Austenmania and the heritage film debate, the new ‘golden age’ of TV series, the Alice, Dracula, Frankenstein and Sherlock crazes, Ripperology, the steampunk phenomenon etc. Along the way, we may deal with questions of (post/neo)colonialism and Americanisation/globalisation, gender and ethnicity, media convergence, historical films and the construction and representation of history in general.
1107-1b Into the Wilderness: Contemporary Canadian Literature
Thursday, 11-1 pm, NSG 322
Stefan Welz (Institut für Anglistik)
Literatur: Margaret Atwood: Cat’s Eye (1988); Rudy Wiebe: A Discovery of Strangers (1994); Yann Martel: Life of Pi (2002); Alice Munro: Selected Short Stories
Begleitende Literatur: Faye Hammill (2007): Canadian Literature. (Edinburgh Critical Guides) Edinburgh: Edinburgh UP.The Cambridge Companion to Canadian Literature. Cambridge: Cambridge University Press, 2004. Die angegebenen Romane sind in den einschlägigen Buchhandlungen (Connewitzer Verlagsbuchhandlung und Universitätsbuchhandlung) oder über Versanddienste käuflich zu erwerben; die Gedichte werden als Kopiervorlage/ elektronischer Text zur Verfügung gestellt.
Prüfung: mdl. Präsentation mit Essay als Hausarbeit in diesem od. im Seminar 1107-2
Canadian Literature is still a comparatively young cultural phenomenon. Only a few decades ago in her critical study Survival: A Thematic Guide to Canadian Literature (1972) Canadian writer Margaret Atwood fused the conception of Canadian literature with notions of national identity. Today, the question of identity still seems to be on the agenda while we are witnessing an ever-growing, stylistically diverse, and thematically rich literary output from this vast country. The course provides a first approach to Canadian literature in English via a selection of recent prose texts in focusing on the thematic aspect of ‘Wilderness’. Textual analyses of this central conception will emphasize conflicts such as man vs. nature, the urban vs. the rural, mass society vs. individual isolation.
1107-2 Seminar Literatur oder Kulturgeschichte der USA:
Von den folgenden Seminarangeboten (1107-2a-b) ist ein Kurs zu belegen.
1107-2a Anglo-American Capitalism and the European Union
Tuesday, 3 - 5 pm, NSG 225
Daniel Floyd
[lehrbox coming soon]
Prüfung:
Mündliche Präsentation (15 Minuten) und Hausarbeit in diesem Seminar oder im Seminar 1107-1
This seminar will explore how the United States and Great Britain/Ireland relate to each other and other countries that together comprise what is often referred to as the “Anglo-American World”. In present-day globalization, and during earlier periods of mobility, exchange, and discovery, Anglo-American ideas have influenced economic and other aspects of societal governance throughout Europe. The Anglo-American sphere continues to exercise cultural and economic power within the European Union, and is of course influenced by the EU in many ways. The course material and class discussions will analyze how the USA and the UK, collectively and separately, shape aspects of capitalist ideology and cultural norms in the EU. Emphasis will be placed on forms of “soft power” that have gradually (and sometimes imperceptibly) exerted a deep impact on how citizens of European countries define and debate their concepts of fair and or legitimate economic governance and activity.
1107-2b Literature and Science: Science-in-Fiction
Thursday, 1-3 pm, NSG 324
Dr. Katja Schmieder
[lehrbox coming soon]
Prüfung:
Mündliche Präsentation (15 Minuten) und Hausarbeit in diesem Seminar oder im Seminar 1107-1
In this seminar we will decidedly not discuss science fiction but rather focus on Science-in-Fiction, a term the late Carl Djerassi famously coined. Thus, we will interrogate the many ways in which „science“ is communicated, criticized, and popularized through novels, movies, and TV shows. As we proceed, we will attempt to answer the following questions: How is „the scientist“ portrayed? What are the implications of politicized science? In how far might fictionalizations of science help us understand the epistemological premises of the natural sciences vs. the humanities? To what ends is science used as a tool of investigation in crime/detective fiction? And last but not least: How come we always find the mad doctor, but never the mad literary scholar? Texts to be analyzed in class might include (but are not restricted to) Mary Shelley's „Frankenstein,“ works by Michael Crichton, Michael Frayn's drama „Copenhagen,“ and TV crime series.
1107-Tutorial
Tuesday,1-3 pm, GWZ 2.516
Heather Pruessing
[lehrbox coming soon]
The Tutorial is meant to support the seminars' oral and written assignments. It will help train and refine the students' argumentative and English language skills.
First session in the week of April 13th 2015.
This module is meant to provide students with the opportunity to engage in-depth selected societal, historical, and political themes that have shaped and shape the United States. Issues will be explored in terms of basic questions relating to American identity, the nature of power in American society, the negotiation of forms of consensus, and how American dynamics influence the country’s exercise of power and transcultural undertakings in the international arena.