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The Politics of Melodrama: Nostalgia, Performance, and Gender Roles in Revolutionary Road

Ravizza, Eleonora. "The Politics of Melodrama: Nostalgia, Performance, and Gender Roles in Revolutionary Road." Poetics of Politics: Textuality and Social Relevance in Contemporary American Literature and Culture. Ed. Sebastian M. Herrmann et al. Heidelberg: Winter, 2015. 63-80. Print.

'We Don't Want Life to Look Difficult, Do We?': Representations of the Fifties and Self-Reflexive Nostalgia in Mad Men

Ravizza, Eleonora. "'We Don't Want Life to Look Difficult, Do We?': Representations of the Fifties and Self-Reflexive Nostalgia in Mad Men." COPAS 14.1 (2013): 1-14. Web.

Poetics of Politics: Textuality and Social Relevance in Contemporary American Literature and Culture

Sebastian M. Herrmann, Carolin Alice Hofmann, Katja Kanzler, Stefan Schubert, and Frank Usbeck, eds. Poetics of Politics: Textuality and Social Relevance in Contemporary American Literature and Culture. Heidelberg: Winter, 2015. Print. American Studies - A Monograph Ser. 258.

Objectivism, Narrative Agency, and the Politics of Choice in the Video Game BioShock

Schubert, Stefan. "Objectivism, Narrative Agency, and the Politics of Choice in the Video Game BioShock." Poetics of Politics: Textuality and Social Relevance in Contemporary American Literature and Culture. Ed. Sebastian M. Herrmann et al. Heidelberg: Winter, 2015. 271-89. Print.

'Lose Yourself': Narrative Instability and Unstable Identities in Black Swan

Schubert, Stefan. "'Lose Yourself': Narrative Instability and Unstable Identities in Black Swan." COPAS 14.1 (2013): 1-17. Web.

The Unpopular Profession

This paper discusses a genre of essay writing that advises students not to pursue a career in academia and that has recently enjoyed increased popularity. Focusing on one such “Thesis Hatement,” it argues that these texts are marked by inner contradictions and that these contradictions are indicative of the cultural work they do. Emphatically rejecting academia, these texts typically fail to convince their audience and, in a curious split between denotation and pragmatics, open up a position from which to embrace a graduate career.

Herrmann, Sebastian M. “The Unpopular Profession? Graduate Studies in the Humanities and the Genre of the ‘Thesis Hatement.’” Unpopular Culture. Eds. Martin Lüthe and Sascha Pöhlmann. Amsterdam: Amsterdam UP, 2016. 313-36. Print.

To Tell a Story to the American People

Throughout the 2012 presidential election, ‘narrative’ stood out as a dominant paradigm in discussions of contemporary politics: Countless commentators asserted the importance of competing narratives, pointing out the extent to which electoral success depended on the president’s (and the contenders’) ability to tell compelling stories of themselves and of the nation. Put differently, then, one of the most dominant narratives of the 2012 election cycle was that of the importance of ‘narrative’ in politics.

Herrmann, Sebastian M. “‘To Tell a Story to the American People:’ Elections, Postmodernism, and Popular Narratology.” Electoral Cultures: American Democracy and Choice. Ed. Georgiana Banita and Sascha Pöhlmann. Heidelberg: Winter, 2015. 323-39. Print.

Wrestling With the Real

Herrmann, Sebastian M. “Wrestling with the Real: Politics, Journalism, History in Frost/Nixon, and the Complex Realism of Kayfabe.” Amerikastudien – American Studies 61.1 (2016): 11-31. Print.

Participating Audiences, Imagined Public Spheres

Herrmann, Sebastian M., Carolin Alice Hofmann, Katja Kanzler, and Frank Usbeck: Participating Audiences, Imagined Public Spheres: The Cultural Work of Contemporary American(ized) Narratives. Leipzig: Leipziger Universitätsverlag, 2012. Print.

Presidential Unrealities

Herrmann, Sebastian M. Presidential Unrealities: Epistemic Panic, Cultural Work, and the US Presidency. Heidelberg: Winter, 2014. Print. American Studies - A Monograph Series.

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