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 textuality 

Wrestling With the Real

Herrmann, Sebastian M. “Wrestling with the Real: Politics, Journalism, History in Frost/Nixon, and the Complex Realism of Kayfabe.” Amerikastudien – American Studies 61.1 (2016): 11-31. Print.

Participating Audiences, Imagined Public Spheres

Herrmann, Sebastian M., Carolin Alice Hofmann, Katja Kanzler, and Frank Usbeck: Participating Audiences, Imagined Public Spheres: The Cultural Work of Contemporary American(ized) Narratives. Leipzig: Leipziger Universitätsverlag, 2012. Print.

Presidential Unrealities

Herrmann, Sebastian M. Presidential Unrealities: Epistemic Panic, Cultural Work, and the US Presidency. Heidelberg: Winter, 2014. Print. American Studies - A Monograph Series.

Narrative Instability in Contemporary US Popular Culture

Dissertation project by
Stefan Schubert

This (ongoing) project investigates contemporary US popular culture for what it terms ‘narrative instability.’ The project identifies a narrative trend since the 1990s among popular media to engage in instability in their narration: Such texts obfuscate and hinder narrative comprehension through fragmented, distorted, or unreliable narrations that complicate—and thus draw attention to—the process of (re)constructing a text’s storyworld. Significantly, unlike novels of ‘high’ postmodernism, which serve as the forebears of this trend, these contemporary unstable texts have attained widespread commercial popularity among different media. The project thus examines this phenomenon as a transmedia trend by looking particularly at contemporary films (e.g., Fight Club, Inception), TV series (e.g., Westworld), and video games (e.g., Alan Wake, BioShock Infinite), while also pointing to contemporary novels that work similarly and have, in turn, been influenced by these ‘newer’ media (e.g., House of Leaves, People of Paper).

The 19th-Century US Data Imaginary

Postdoctoral Project by
Sebastian M. Herrmann

Diagram and Statistical Record of the Signers of the Declaration of Independence (J. C. Power, 1858)This ongoing postdoctoral project is interested in the ‘data imaginary’ of the nineteenth century. It asks how ‘data’ came to be an important cultural (social, political, textual) category; how something as abstract as the notion of presumably ‘pure,’ discontinuous, discrete, often numerical, and quantifiable information came to be imagined as a ‘thing’ that can be created, bought, sold, regulated, or used for all manner of interactions and socio-political negotiations; how data came to be imagined as something with social and political valencies; and, most importantly, how this new ‘thing’ gained cultural presence not simply as a tool but as a way of thinking about the world.

Literary and cultural studies have stressed the role of narrative for the emergence of national identity, for the negotiation of cultural and social difference, and for navigating the transformations of modernity. Thinking about the culturalization of data and the rise of the data imaginary complements this perspective by asking for the role that emphatically nonnarrative symbolic forms—and the textual practices they entail—have played in this.

For more information, please see the project webpage at www.data-imaginary.de.

Joint Research Initiative Selbst-Bewusste Erzählungen

Dr. Sebastian M. Herrmann
Alice Hofmann
Prof. Dr. Katja Kanzler
Dr. Frank Usbeck

This (completed) joint research initiative, pursued in collaboration between Dresden and Leipzig, explored a significant phenomenon in contemporary American literature and culture identified as an overlapping of textual and social self-confidence and self-consciousness ('Selbst-Bewusstsein').

Presidential Unrealities

Dissertation by
Dr. Sebastian M. Herrmann

This (completed) dissertation project investigated the cultural work done by the notion of unreality in the US presidency. Looking at a variety of texts—novels, movies, nonfiction books, newspaper articles, etc—it diagnoses a widespread cultural concern that the US presidency might be the product or source of postmodern cultural unreality, that the American president might be unreal, fictitious, or that he might produce unreal realities, lies, fictions, fakes; narratives or images that overpower reality.

What appears to be a political problem at first, then, turns out to be at least as much of a cultural one. Indeed, beginning in the late 1960s American culture, the dissertation argues, uses the presidency as a "focal point of [...] cultural angst" (Parry-Giles and Parry-Giles) to discuss the more fundamental postmodern "crisis of representation" (Jameson) in broad, even 'popular,' form and to position it as a problem that is not simply of academic interest but of immediate political relevance. By looking at 'presidential unreality' not as an actual problem that may or may not exists but as a discursive motive that does particular cultural work, the dissertation dialogs literary studies, cultural studies, political science and media studies in a project that interrogates the postmodernization of US-American cultural notions of textuality, truth, authority, and the public sphere.

After the comparatively 'sober' Obama years, the problem of unreality returned with a vengeance with the election of the reality TV star Donald Trump in 2016, an election and presidency frequently cast as the result of fake news and a presumed post-factual turn. The book Presidential Unrealities: Epistemic Panic, Cultural Work, and the US Presidency is available via Universitätsverlag Winter (as well as amazon and google books).

The project is part of the Dresden-Leipzig Research Initiative Selbst-Bewusste Erzählungen.

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